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[主观题]

For anyone who is set on a career in fashion, it is not enough to have succeeded in colleg

e. The real test is whether they can survive and become established during their early 20s making a name for themselves in the real world where business skills can count for as much as flair(眼光) and creativity.

Fashion is a hard business. There is a continuous amount of stress because work is at a constant breakneck (高速而危险的) speed to prepare for the next season's collections. It is extremely competitive and there is the constant need to cultivate good coverage in newspapers and magazines. It al so requires continual freshness because the appetite for new ideas is hard to satisfy. "We try to warn people before they come to us about how tough it is," says Lydia Kemeny, the Head of Fashion at St. Martin's School of Art in London. "And we point out that drive and determination are essential."

This may seem far removed from the popular image of fashionable young people spending their time designing pretty dresses, That may well be what they do in their first year of study but a good college won't be slow in introducing students to commercial realities. "We don't stamp on the blossoming flower of creativity but in the second year we start introducing the constraints of price, manufacturability, marketing and so on."

Almost all fashion design is done to a brief. It is not a form. of self-expression as such, although there is certainly room for imagination and innovation. Most young designers are going to end up as employees of a manufacturer or fashion house and they still need to be able to work within the characteristic style. of their employer. Even those students who are most avant-garde (标新立异的) in their own taste of clothes and image may need to adapt to produce designs which are right for the main stream of market. They also have to be able to work at both tire exclusively expensive and the cheap end of the market and the challenge to produce good design inexpensively may well be demanding.

To be successful as a fashion designer you must ______.

A．have excellent academic qualifications

B．be able to handle business problems

C．be well established before you are 20

D．have taken an intensive commercial course

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发布时间：2022-12-19

更多“For anyone who is set on a career in fashion, it is not enough to have succeeded in colleg”相关的问题

第1题

（) wants to go may have a ticket.

A.Those who

B.Who

C.Anyone

D.Anyone who

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第2题

Anyone, （) is really late for a social activity, should apologize to those who have already been there.

A.whom

B.what

C.which

D.who

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第3题

As anyone who has （)an accident will tell you, the apparent security of cars is deceptiv

A. sampled

B. survived

C. vanished

D. scraped

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第4题

The police is officering a（n)_____of$3,000 to anyone who will provide information about

A.praise

B.prize

C.reward

D.award

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第5题

What do you want me to do with the book？ --Please give it to（) you think needs it most.

A.who

B.the person

C.whoever

D.anyone

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第6题

Anyone who has spent time with children is aware of the difference in the way boys a

nd girls respond to ______ situations.

A.similar

B.same

C.alike

D.likely

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第7题

The director is disappointed because he has not found anyone in the applicants who is

A. ()

B.已经任命了主任，因为只有他有能力去寻找适合做这项工作的求职者

C.已经任命了主任，因为只有他才有资格去挑选肯做这项工作的求职者

D.主任非常失望，因为他还没有在这些求职者中发现具有特殊资质的人

E.主任很失望，因为他还没在求职者中找到特别有资格做这项工作的人

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第8题

访问过日本的人都知道日本的物价很高，而日本工人的工资和他们的美国同行差不多，结果他们收入的购买力只有美

国的1/3，扩展习题7的讨论来解释这个现象。(提示：考虑工资率和非贸易品的价格)

Anyone who has visited Japan knows it is an incredibly expensive place；although Japanese workers earn about the same as their U.S. counterparts，the purchasing power of their incomes is about one-third less．Extend your discussion from question 7 to explain this observation．(Hint：Think about wages and the implied prices of non-traded goods．)

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第9题

When I was a kid, I never knew what my parents—or anyone else's—did for a living. As far a

s I could tell, all grownups had mysterious jobs that involved drinking lots of coffee and arguing about Richard Nixon. If they had job-related stress, they kept it private. Now American families are expected to be more intimate. While this has resulted in a lot more hugs, "I love you's," and attendance at kids' football games, unfortunately we parents also insist on sharing the frustrations of our work byes.

While we have complained about our jobs or fallen asleep in car-pool lines, our children have been noticing. They are worried about us. A new survey, "Ask the children," conducted by the Families and Work Institute of New York City, queried more than 1,000 kids between the ages of 8 and 18 about their parents' work lives. "If you were granted one wish to change the way your parents' work affected your life," the survey asked kids, "what would that wish be？" Most parents assumed that children would want more time with them, but only 10% did. Instead, the most common wish (among 34% ) was that parents would be less stressed and tired by work.

Allison Levin is the mother of three young children and a professional in the growing field of "work/ life quality". Levin counsels employees who are overwhelmed by their work and family obligations to carefully review their commitments-not only at the office but at home and in the community too—and start paring them down. "It's not about getting up earlier in the morning se you can get more done," she says. "It's about saying no and making choices."

We can start by leaving work, and thoughts of work, behind as soon as we start the trip home. Do something to get yourself in a good mood, like listening to music, rather than returning calls on the cell phone. When you get home, change out of your work clothes, let the answering machine take your calls, and stay away from e-mail. When your kids ask about your day, tell them about something good that happened. (In the survey, 69% of moms said they liked their work, but only 42% of kids thought their mothers really did. )

Parents can also de-stress by cutting back on their children's activities. If keeping up with your kid's schedule is killing you, insist that he choose between karate lessons and the theater troupe. Parents should also sneak away from work and family occasionally to have some fun. I keep a basketball in the trunk of my can. I might never be able to fix everything at work or at home, but at least I can work on my jump shot.

Which of the following sentences can be the best title of this passage？

A．Kids Say: Chill

B．Kids Stress Parents

C．Parents Complain about work

D．Parents Get in Good Mood

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第10题

My father was 17 when he left the farm in Cameron,N.C., and set off for Baltimore to

apply for a job at the Martin Aircraft Company. When asked what he wanted to do, he said,"Everything." He explained that his goal was to learn every job in the factory. He’d like to go to a department and find out what was done there. When the supervisor determined his work was as good as anyone else’s, he’d want to go to a different department and start over. The personnel people agreed to this unusual request, and by the time H.T.Morris was 20, he’d made his way through the huge factory and was working in experimental design for a fantastic salary. Whenever he went to a new department, he looked for the guys who had been around forever. These were the people novices usually avoided, afraid that next to them they’d look like the beginners they were. My father asked them every question he could think of. They liked this inquisitive young man and showed him shortcuts they had developed that no one else had ever asked about. These sages became his mentors. Whatever your goals, plan to network with those who know more than you. Model your efforts on theirs, adjusting and improving as you go.

The author’s father applied for a job at the Martin Aircraft Company and his goal was ()

A、to be a good worker with a special knowledge about his work

B、to do everything assigned him willingly

C、to be able to do whatever job there was in the factory

D、to be a good supervisor himself in the future

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第11题

Many a young person tells me he wants to be a writer. I always encourage such people,

but I also explain that there’s a big difference between a writer and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours at a typewriter. “You have got to want to write,” I said to them, “not want to be a writer.”

The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune there are thousands more whose longing is never rewarded. When I left a 20-year career in the U.S. Coast Guard to become a freelance writer, I had no prospects at all. What I did have was a friend who found for me my room in a New York apartment building. It didn’t even matter that it was cold and had no bathroom. I immediately bought a used typewriter and felt like a genuine writer.

After a year or so, however, I still hadn’t got a break and began to doubt myself. It was so hard to sell a story that barely made enough to eat. But I knew I wanted to write. I had dreamed about it for many years. I wasn’t going to be one of those people who died wondering. What if？ I would keep putting my dream to test (even though it meant living with uncertainty and fear of failure). This is the shadow-land of hope, and anyone with a dream must learn to live there.

1.The passage is meant to() .

A、warn young people of the hardship that a successful writer has to experience

B、advise young people to give up their idea of becoming a professional writer

C、show young people it is unrealistic for a writer to pursue wealth

D、encourage young people to pursue a writing career

2.What can be concluded from the passage？

A、Genuine writers often find their work interesting and rewarding.

B、A writer’s success depends on luck rather on effort.

C、Famous writers usually live in poverty and isolation.

D、The chances for writers to become successful are small.

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